Episode 11
Tolkien Would Hate This Podcast Part 1: Fans, Interpretation, and Adaptation
Hosts & Guests
Alicia
(she/they) A queer Tolkien scholar and Zelda nerd interested in adaptation, audience reception, and biography.
Grace
(she/her) An acquirer of books, a queer-rights activist, serves as as the Subscriptions Steward of the Mythopoeic Society, and is a Professional Nerd (okay, technically it’s an unpaid internship).
Leah
(she/her) Just another weird Tolkien geek living in the Grey Havens (also known as Seattle WA) with two rabbits and far too few books.
About This Episode
We’re back! In this new series of episodes, Alica, Grace, and Leah tackle the criticism that “Tolkien would hate this podcast” for a whole host of reasons: We (and our listeners) are too Queer, too Progressive, not Catholic enough, too ‘woke’, or too willing to accept multiple and even contradictory readings. In this first episode of a series, we talk about Tolkien’s attitudes about his fans, reader interpretation/response to his works, and adaptation.
Related Episodes
Episode 28 – Writing a Book Chapter! (or “Why We Didn’t Record Much in 2025”)
Learn more about the process of academic publishing as Leah and Grace recount their first times writing for academic publishing, guided by Alicia’s experience. Thank you for sticking with us! We have so much more in store for you.
Episode 27 – The Redemption of Lobelia Sackville-Baggins: Petty Thief to Folk Hero
Is Lobelia Sackville-Baggins actually the villain she’s made out to be in “The Hobbit” and “Fellowship”, or simply a victim of narrative bias? Plus JIRT’s “mommy issues” and a contrast of Lobelia as an ‘Aunt’ archetype with biographical information about Tolkien’s own family.
Episode 26 – Tolkien Adaptations Part 3: “The War of the Rohirrim” with Janet Brennan Croft
A discussion about “The Lord of the Rings: The War of the Rohirrim” with the film’s credited “Tolkien Expert”, Janet Brennan Croft! We discuss her approach to encourage lore accuracy and consistency in the film’s script, explore queer readings of the film, and even the history of Japanese tentacle “art.”